Printed from Woolley & Wallis

Description

Samuel John Lamorna Birch, RA, RWS (1869-1955)
The Lamorna Stream
Black pencil or crayon
19 x 24cm

Together with pencil sketches of a stream in Newlyn, upon an envelope, c.1930, 21.5 x 13cm approx; and a pencil sketch for a Great War poster (`For Those Within To Those Beyond`), signed with initials and inscribed, image 15 x 17.5cm (3)

Provenance:
(Lamorna Stream) The artist's studio;
Purchased from the artist's estate;
The Collection of the Late Austin Wormleighton (1937-2019) (lots 1-34)

Exhibited:
(Poster Design) Plymouth City Museum, Falmouth Art Gallery, Lamorna Birch RA RWS: A Retrospective (November 1987-February 1988; and August-September 1997)
(Poster Design) Penzance, Penlee House Gallery & Museum, Entranced by a Special Place (June-September 2018)
Penzance, Penlee House Gallery & Museum, Lamorna Birch: A Painter Laureate (October 2025-January 2026)

Literature:
Austin Wormleighton, A Painter Laureate: Lamorna Birch and his Circle (Whitefox Publishing, 2025), illustrated p.62 (Envelope); and p.238 (Poster design)

Envelope: Birch liked to work out designs for paintings on cigarette packets, book jackets and envelopes (one of these studies is for `April Morning: Newlyn Bridge`). The handwriting is that of (Sir) John Roberts, a Selkirk tweed manufacturer. He was a frequent traveller on the RMS Rangitata between Southampton (see postmark) and New Zealand, where he had substantial business interests. Birch also sailed on the Rangitata in 1936 and became the first Royal Academician to visit New Zealand, staying for a full year. Adam Kerr, the artist's grandson provided this information to Austin Wormleighton (October 1997).

Poster Design: Apparently a textile factory in northern England where cloth is being made for army uniforms. Birch's zeal to fight in 1915 was strong but, by 1918, he was resisting the call to enlist older men.

LOTS 1-34
THE COLLECTION OF THE LATE AUSTIN WORMLEIGHTON

Samuel John Lamorna Birch, RA, RWS (1869–1955) was a British landscape painter closely associated with the artistic communities of Cornwall. Born in Egremont, Cheshire, Birch spent much of his early childhood in modest circumstances following the death of his father. His mother moved the family to Manchester where Birch began to show an early aptitude for drawing, despite receiving only a limited formal education.

Birch initially trained as a clerk and worked in cotton mills but he pursued art with determination, enrolling at the Académie Julian in Paris during the 1890s. There, he absorbed influences from French Impressionism, working en plein air and developing a sensitivity to light and atmosphere that would define his mature work. His time in France was crucial in shaping his painterly approach, encouraging looser brushwork and a brighter palette than was typical in British art of the period.

In 1895, Birch settled in Lamorna Valley in Cornwall, a location that would become central to both his identity and artistic output, so much so that he adopted ‘Lamorna’ as part of his name. He became associated with the Newlyn School and Birch’s style combined Impressionist techniques with a distinctly British sensibility, characterised by vibrant colours, textured brushstrokes and an emphasis on the play of natural light.

His subject matter focused largely upon the Cornish landscape: sunlit valleys, rugged coastlines, sparkling streams and pastoral scenes. Unlike some of his contemporaries, Birch often emphasised decorative qualities and emotional resonance over strict realism, creating works that feel immediate, lyrical and personal.

Birch achieved considerable success during his lifetime, becoming a member of the Royal Academy in 1934. His legacy in popularising the Lamorna Valley as an artistic hub and in bridging British and French painting traditions in his own distinctive idiom cannot be overestimated. Today, his work is remembered for its celebration of light, colour, and his great love of the enduring beauty of the Cornish landscape.

Austin Wormleighton (19372019), wholly synonymous with Birch expertise and a distinguished historian of the Newlyn artists, wrote the definitive biography about Birch, ‘A Painter Laureate: Lamorna Birch and his Circle’ (recently republished by Whitefox Publishing, 2025). This readable but learned account of Birch’s life shows Austin’s skill at lucid narrative (derived from a career in journalism) and his evident admiration for the artist’s oeuvre. Austin’s support of, and contributions towards, many exhibitions of Birch’s work brought him into contact with like-minded enthusiasts. He will be fondly remembered for his gentle, affable demeanour; his profound knowledge that was always lightly worn; and for his passionate love of Birch’s work.

Many of these works by Birch were included in the exhibition Lamorna Birch: A Painter Laureate at Penlee House Gallery & Museum, Penzance (October 2025-January 2026).